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2024 PRESIDIO HOME SEASON:
DIGITAL PROGRAM

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Pre-Show Panels

Saturday, March 16, 6:30-7:15pm

"Bootstraps: Lyric Legacies and its Impact"

Panelists - Brian Freeman, Freddy Martin, Cora McCoy, and Sharon Woodruff

Moderator - Christine Joy Ferrer (tinejoy, RMK Educational Program Coordinator)

Sunday, March 17, 1:15-2:00pm

"Let’s Talk: Book Bans, Erasure, and Creative Resistance"
Writer and Director 
- Dorothy Lazard, Dr. Pablo Gonzalez, and Robert Moses

Moderator - Mia Diawara (RMK Board Member)

THE PROGRAM

No Late Seating.
Warning: this show contains language meant for mature audiences.

The little book of parental losses (2024)

Choreography - Robert Moses
Music - Aja Monet, Robert Moses, PC Muñoz, Carl Hancock Rux, Gerald Clayton
Text - Robert Moses
Lighting Design - Allen Willner
Video Design - Kevin Spinner

Dancers - The Company

I would like to extend a special thank you to everyone that has made this project possible from the students that take part in the Bootstraps program, the artists that are collaborating this evening, the staff and board of RMK, the funders that have the vision to support this important project in this moment and those of you that continue to work for a genuine and open right to express ourselves. Thank you all for your patience, for your commitment, and for your energy that never wavered during this project. 
With great love and respect,
- Robert

— 15-Minunte Intermission —

 New Legacies: One Act Dances

Ritual of Release (2024)

Choreography - Robert S. Kelley II with contributions from the performers
Music - Bryan Dyer; Performed by Pollyanna Bush, Bryan Dyer, Benjamin Metz
Text - Julius Rea
Lighting Design - Allen Willner
Video Design - Kevin Spinner
Dancers - Edgar Aguirre, Camille Henrot, Alek Hernandez, Chisa Kobayashi and Risa Padilla
Includes the voices of - Livya Howard-Yashar, Nicolas Jordan, Ravi Rajan, Justin Schied, Lioness Sia and Chenliang Zhu

“There are really three parts to the creative process. First there is inspiration, then there is the execution, and finally there is the release.” – Eddie Van Halen 


In response to the aspect of censorship that attempts to control free thinking in the arts, this showcase is a combination of discovery through improvisation in order to uplift the voice of all creative bodies involved in the process.

— Pause —
Anthropos (2024) 

Choreography - Natasha Adorlee, in Collaboration with the Dancers
Score - BDukes 
Text - Anne Galjour 
Dramaturgy - Julius Rea 
Lighting Design - Allen Willner
Costumes - Juliann Witt and Natasha Adorlee
Dancers - Vincent Chavez, Abigail Hinson, Elena Martins, Bethany Mitchell, Natalya Shoaf, Sunny Winn


“Plato said that the beginning of inquiry is wonder, that is, wonder comes first.” - Laura Candiotto
‘Anthropos’ exists in a utopian realm where exploration reigns, untouched by repression. Here, the human body’s wonder is discovered without constraint, fostering a culture of imagination uninhibited by censorship. 

— Pause —
The Safe Room (2024)

Choreography - Khala Brannigan
Music - Vicki Randle; 
Performed by Vicki Randle (bass, electric guitar, vocals), Shelley Doty (electric guitar), PC Muñoz (drums, spoken word)
Text - PC Muñoz
Lighting Design - Allen Willner
Dancers - Vincent Chavez, Elena Martins, Bethany Mitchell, Sunny Winn

ABOUT Robert moses' Kin

Founded in 1995, RMK uses movement as the medium through which race, class, culture, and gender are used to voice the existence of our greater potential and unfulfilled possibilities. The diverse company is known for its eclectic movement vocabulary, demanding choreography, ferocious dancing, and provocative themes. Moses' focus on the expressiveness of the human body and his desire to speak with the voices of his African American heritage has produced works with regional, national, and international recognition. Moses has collaborated with prominent dancers, musicians, composers, sculptors, authors, poets, and designers to realize the concept of dance as a unifying art form. RMK has presented an annual home season in San Francisco since 1995 as well as international touring to New York's City Center's Fall for Dance Festival, OPEN LOOK St. Petersburg International Dance Festival (Russia), Serendipity Arts Festival (Kolkata, India), Jacob's Pillow, Bates Dance Festival, Colorado Dance Festival, Dance Center at Columbia College, University of South Florida, Dance Umbrella, ProArts Collective, Maine Festival, and more.

 

Text to Donate:
"ONEACT" to 44-321

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​Robert Moses (Founder/Artistic Director)

Choreographer, Writer, and Composer Robert Moses has created numerous works of varying styles for his highly praised dance company, as well as composing many of the sound and narrative scores for those works. Moses has choreographed for dance, opera, and theater companies including Alvin Ailey American Dance Theater, San Francisco Opera, and Lorraine Hansberry Theater. He has taught at festivals and on college campuses throughout the US and internationally, including OPEN LOOK St. Petersburg International Dance Festival, Serendipity Arts Festival (Kolkata, India), Bates Dance Festival, UC Berkeley, and Stanford University. Click here to read more about him and his work.

All Dancers

Acting Rehearsal Director

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Cora Cliburn (she/her) is a dance artist working in San Francisco and Chicago. Originally from New Mexico, Cora trained at the San Francisco Conservatory of Dance and the Alonzo King LINES Ballet Training Program. In 2016, she was recognized as one of DANCE Magazine's "25 to Watch.” Cora has worked with ODC/Dance, PARA.MAR Dance Theatre, Post:ballet, Lil Buck and Jon Boogz, GERALDCASELDANCE, and ARCOS Dance, among others. In 2019, she earned a BA with honors in Environmental Anthropology from Stanford University. An advocate for sustainability, Cora is also the Outreach Director of Artists' Climate Collective. She has performed with RMK since 2016.

rmk Company DANCERS

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Vincent Chavez hails from Albuquerque, NM. He trained at LINES Ballet Training Program, Ballet Hispanico, Academy of Nevada Ballet Theatre, and Dance Theatre Southwest. He has danced with San Francisco Opera, Nevada Ballet Theatre, Oakland Ballet Company, New Mexico Ballet Company, as well as, National and International touring as an independent Dance Creative. Vincent joined RMK in 2012.

Headshot of Iva Dixson

Iva Dixson originates from San Francisco, CA. She trained at the Ruth Asawa San Francisco School of The Arts with Elvia Marta and Andrea Hinman, as well as the Rome International Dance Academy, directed by Andrea Palombi and Sara Lourenco. Iva has danced with Vangelis Dance Company. She joined RMK in 2023.

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Jenelle Gaerlan (they/she) is a multi-disciplined movement artist hailing from Portland, OR. They trained with Tracey Durbin (Luigi’s apprentice) as well as BodyVox's Junior Artist Generator (JAG) program. Jenelle has danced for BodyVox Dance Company under Emmy Award-winning choreographers Jamey Hampton and Ashley Roland, DarVejon Jones Dance Ensemble, Nike Inc., SOULSKIN Dance, CandyBomber Productions at Stanford LIVE, and Concept o4. Along with her concert dance experiences, Jenelle proudly represents Assassins Crew, an international hip-hop collective dedicated to shedding light on community, loyalty and solidarity. Jenelle joined RMK in 2021.

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Z Jackson (they/them/theirs), native to Hoover, Alabama, started their Classical Ballet training at Alabama Dance Academy. After attending the Alonzo King LINES Ballet | Training Program, Z joined SALT2, in Salt Lake City, Utah, where they performed works by Amy Gunter-Lolofie and Ching Ching Wong. They worked closely with Sidra Bell as a Fellow in her Summer MODULE; inspiring deep gratitude for movement, play, and composition. They hope to continue exploring this art form and breaking down societal expectations and stigmas that affect black - trans humans in dance. Z joined RMK in 2022.

Headshot of Elena Martins

Elena Martins grew up in Massachusetts and received her early training at Donna Miceli Dance Center and The Academy of Ballet Arts. She went on to graduate from SUNY Buffalo with a BA in dance and a minor in speech and hearing science. She has performed extensively with companies on the east and west coast, including Prometheus Dance, Lorraine Chapman The Company, Axis Dance Company, RAWdance, CALI&CO dance, Bellwether Dance Project, and West Edge Opera among others. Elena Joined RMK in 2018.

GUEST DANCERS

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Edgar Aguirre is originally from Guatemala City, Guatemala and grew up most of his life in Redwood City, California. He graduated from the University of California, Irvine in 2019 with a BFA in Dance Performance as well as having danced for Donald McKayle in his Étude Ensemble. Edgar is currently based in Los Angeles where he dances with CONTRA-TIEMPO Activist Dance Theater and Los Angeles Contemporary Dance Company. Edgar is also a guest choreographer and teaching artist at California State University, Fullerton. In the past, Edgar has danced for Heidi Duckler Dance, Bernard Brown bbmoves and Cleo Parker Robinson Dance Ensemble. Edgar also does guest artist work in San Francisco with David Herrera Performance Company and Robert Moses’ KIN.

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Camille Henrot, born and raised in Colorado, is a freelance dancer and design engineer in the Bay Area. She received her early training at the Boulder Ballet School and later trained with Goh Ballet, Joffrey Ballet and Brussels International Ballet. She is currently a company member in Printz Dance Project. Recently, she has had the honor of working with Victor Talledos, Alex Ketley, Javon “Ja’Moon” Jones and Jordan Wanderer, among other fabulous artists. A recent Carmel Dance Festival fellow, Camille has been enjoying engaging with new artistic communities and dance practices in immersive research settings. This is her first project with RMK.

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Alek Hernandez is a recent SF transplant born and raised in Florida. He graduated from the University of South Florida with a BFA in Dance, Concentration in Modern, and an Integrated Public Relations and Advertising Degree. During his time there he performed with multiple choreographers like Jeanne Travers, Michael Foley, and Stephanie Martinez. Alek now works, dances, and pursues teaching in the Bay Area. This is Alek’s first project with RMK. 

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Abigail Hinson is an impulsive movement explorer based in San Francisco. She believes movement is the pulse of all living things and therefore, dance exists as the crafted, intentional, human expression of life. This is her first project with RMK. 

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Chisa Kobayashi is a movement artist born in Tokyo, Japan and raised in Honolulu, Hawaii. She trained with Romi Beppu, Micki Kolberg, and Charlaine Katsuyoshi among others in classical ballet and contemporary. She is currently a student at USF, pursuing a BA in Performing Arts & Social Justice with a dance concentration. This is her first project with RMK. 

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Bethany Mitchell grew up in Mission Viejo, California and has performed on both coasts with companies such as Liss Fain Dance in San Francisco and Battery Dance in New York City. She has a long history as a dance educator, and completed a Fulbright Specialist Award in 2022 creating a new piece of choreography on the B.F.A. students at the Escuela Profesional de Mazatlan in Mazatlan, Mexico. Bethany also writes and performs her own music, and produces her art salon, ArtPärdÄ“, at venues around San Francisco showcasing local talent. This is her first project with RMK.

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Giovana Sales Nascimento da Silva (she/her) is originally from São Vicente-Brazil. She is a Bay Area-based freelance artist. In addition to training in her country of origin, she created important projects with her sister as a collaborator. In the USA, she took part in the Peridance Summer Intensive and the Alonzo King LINES Ballet Training Program, where she recently graduated. During her career she has worked with Zack Tang, Micaela G. Taylor, Rena Butler, Laura O'Malley, Brett Conway, Chuck Wilt, Kayla Farrish, David Harvey, Moscelyne ParkeHarrison, Mike Tyus, Luca Renzi, Victor Talledos, Daiane Silva and others. This is her first project with RMK. 

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Giulia Sales Nascimento da Silva (she/her), originally from São Vicente-Brazil, is a Bay Area-based freelance artist. In addition to training in her country of origin, she created important projects with her sister (Giovana) as a collaborator. In the USA, she took part in the Peridance Summer Intensive and the Alonzo King LINES Ballet Training Program, where she recently graduated. During her career she has worked with Zack Tang, Micaela G. Taylor, Rena Butler, Laura O'Malley, Brett Conway, Chuck Wilt, Kayla Farrish, David Harvey, Keelan Whitmore, Moscelyne ParkeHarrison, Mike Tyus, Luca Renzi, Victor Talledos, Daiane Silva and others. This is her first project with RMK. 

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Natalya Shoaf is a LA native who now calls the Bay Area her home. She is an alumni of the Alonzo King LINES BFA program. Natalya is currently an educator for Oakland School for the Arts, Shawl-Anderson Dance Center, and a Guest Artist at the Athenian School. This is Natalya’s first project with RMK.

Headshot of Sunny Winn

Sunny Winn (she/they) is a San Francisco-based freelance artist and recent graduate of the Alonzo King LINES Ballet Training Program. She has recently worked with Ballet22 on a film choreographed by Lorris Eichinger and directed by Natasha Adorlee premiering in April 2024 at the San Francisco Dance Film Festival. They have also worked with choreographers Moscelyne ParkeHarrison, Chuck Wilt, and Jay Carlon and have attended intensives with UNA Productions, New Dialect, Houston Ballet, Pacific Northwest Ballet, and American Ballet Theatre. This is Sunny’s first project with RMK. 

Collabortor

GUEST CHOREOGRAPHERS

Natasha Adorlee Johnson, photo by Robert Suguitan

Natasha Adorlee is an Emmy Award-winning choreographer, filmmaker, composer, and educator based in San Francisco, CA. A first-generation Asian American woman, she is currently the Artistic Fellow with Amy Sewiert's Imagery. Adorlee began choreographing in 2014 while maintaining a dance career with Robert Moses' KIN, ODC/Dance, Kate Weare and Co., and the San Francisco Symphony. Since winning over ten international awards for her acclaimed short film Take Your Time in 2018, she has been a much sought-after filmmaker, choreographer, and composer.

 

After attending SUNY Purchase and graduating from UC Berkeley, Adorlee joined ODC/Dance. As a performer, she has danced a vast repertoire of works and contributed original choreography, sound design, and art direction to over 20+ ODC/Dance repertory works. In addition, she has created over 20 original dance-based works- spanning stage, film, and immersive performance mediums. Most recently, she was commissioned to create for Joffrey Ballet's Winning Works, Ceprodac (Mexico), Kawaguchi Ballet (Japan), Ballare Carmel, Ballet22, and Imagery. In addition to working for dance companies, Adorlee has created original work for Pixar Animation Studios, Occulus, National Geographic, and New Yorker Magazine. She founded Concept o4 to create multimedia dance-based experiences advocating for more accessibility to the arts. Awarded an NEA Grant, Dresher Fellowship, and Jacob's Pillow Choreographic Fellowship in 2023 and a BalletX and Kansas City Ballet commission in 2024, Adorlee is pursuing a prolific creation period while sharing her deep knowledge of movement and film with the greater community through Dance on Camera workshops. She is also an Artistic Advisor for Ballet22.

Khala Brannigan, photo by Edon Gottlieb

Since relocating to New York from the Bay Area in 2019, Khala Brannigan participated in a choreographic fellowship with Sidra Bell Dance, guested with Soluq Dance Theater, and presented work at Peridance Capezio Center, Three’s Brewing, Arts on Site, and in September 2021, an evening length work at The Woods Performance Space. She also presented work at Arts On Site October as a part of Dual Rivet's Made By Women Festival. Since choreographing for the short film directed by Katherine Huggard titled Amor Fati, she has been working towards another evening length piece titled Blood & Innocence. Originally from Santa Fe, NM, Brannigan began her dance training at age seven. After high school, she attended the Alonzo King LINES Ballet Training Program in San Francisco, CA after which she was selected as a resident choreographer with SAFEHouse Arts for the next six years.

 

Brannigan became a certified GYROTONIC® instructor in 2013, and her first 200 Hour Yoga Teacher Training took place in Rishikesh, India, with World Peace Yoga School in 2015. Throughout her time in San Francisco, Brannigan received awards from Zellerbach Family Foundation, Dancers’ Group CA$H Grant and presented full evening works at large scale venues such as ODC Theater, Joe Goode Annex, and Z Space. Her work has been presented in multiple local festivals including SF Dance Film Festival and Summer Performance Festival. Brannigan was a company member with Robert Moses’ KIN from 2017-2019.  She currently teaches for Dancewave’s community programs, is a certified GYROTONIC® instructor at Movement Beyond in Soho, and also teaches yoga at Kula Yoga Project, YO-BK, and Yoga Space NYC.  Instagram: @khalabrannigan  Website: khalabrannigan.com

Robert Kelley, photo by Amanda Van Meter Burch

Improvisational dance performer and choreographer, Robert S. Kelley II, a Florida native He has presented his choreography at Centre National de la Danse, The Barnsdall Gallery Theatre, California Institute of The Arts, Hillsborough Community College, Valencia College, Alvin Ailey  Citigroup Theatre, St. Petersburg College, Dance Truck, The Music Box and The University of  South Florida. Kelly’s most recent work was The Paradox of Lament, a collaboration that premiered at California Institute of The Arts 50th anniversary.  He is an Ann & Weston Hicks Choreography Fellow from the School at Jacob’s Pillow and currently teaches contemporary, improvisation and body conditioning at Ballet Kukan Academy in Monrovia, CA.

 

What compels him to choreograph has always been building shapes with the body without regard towards aesthetic, blending explicit and implicit movement to create dance that has its own balance of freedom and form that test the boundaries of the Amateur/Virtuosic spectrum. Also drawn to making content that relates to the nine primary emotions, he specifically focuses on fear, anger,  trust, and love because he feels these states remind us of our fragility.  He earned his Associate’s degree in Dance Performance from Valencia College, a Bachelor of Fine Arts with a concentration in Modern Dance from the University of South Florida, and a Master of Fine Arts in Choreography from the California Institute of the Arts.

GUEST Composers

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Bryan Dyer is a musician with more than 30 years of professional experience. He’s a versatile multi-instrumentalist, vocalist, and producer who performs many styles of music, from classical and avant-garde to rock, jazz, and blues. Music has taken Bryan around the world to perform in countries including Japan, Switzerland, Indonesia, and Africa, and alongside such notable artists as Huey Lewis and The News, Michael McDonald, and Carlos Santana. Some of the groups he currently performs with include SoVoSo, The Funk Revival Orchestra, Chelle! and Friends, Bobby McFerrin & MOTION, Crosspulse w/Keith Terry, and Linda Tillery, and the Cultural Heritage Choir. Bryan has also worked on several projects with Santa Cruz-based producer and choreographer over the last 20 years including “JOY” and “Mixed Nutz!”.

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Inspired by the voices of the ancestors and plant medicines — big ma’s baby —  B Dukes (they/them) is a Leesville, South Carolina-raised multi-hyphenate artist who approaches their work with the transformational healing of their Black, Brown, and Indigenous queer kin in mind. Embracing the sacred art of playing with nature, inquiry, pleasure, and rest, they are currently exploring birthing sacred spaces and visual art that liberates and heals through improvisation, soundscapes, plants, movement, and visual art.

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Vicki Randle was born into a musical family, her father a jazz pianist and her brother a world renowned opera singer. A guitarist, bassist, percussionist, composer, and singer, she has a 50-year-long career recording, touring, and composing in multiple genres: folk, jazz, rock, pop, and others. She has toured with Narada Michael Walden, Laura Nyro, George Benson, Lionel Richie, Wayne Shorter, and Kenny Loggins. She recorded with Aretha Franklin, Herbie Hancock, Todd Rundgren, Branford Marsalis. She was a percussionist and singer in the Tonight Show with Jay Leno band from 1992 to 2010.  She toured with Mavis Staples for 8 years, appearing on 3 records, and her HBO documentary “Mavis!” Her rock and funk band “Skip The Needle” released their 3rd album on Little Village records and she most recently recorded and toured as a member of the iconic rock quintet MC5. Vickirandle.com

GUEST Playwrights

Headshot of Anne Galjour

Anne Galjour came to San Francisco in 1980 to check out the theatre scene and stayed.  She became a solo performer and playwright whose Cajun inspired works have been produced by theatres, colleges and theatre festivals around the country. New Legacies is her third collaboration with Robert Moses Kin. She is a lecturer in the Creative Writing Department at San Francisco State University.   Sincere thanks from the depths to Robert, the choreographers, the dancers, the staff at RMK, and to Nona Caspers.  Ms. Galjour dedicates her work to the memory of Robert Henry Johnson.

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PC Muñoz is a CHamoru musician, writer, composer, and frequent collaborator with Robert Moses’ Kin. His body of recorded work as an artist and producer includes GRAMMY®-nominated contemporary classical music with composer/cellist Joan Jeanrenaud as well as projects with rock legend Jackson Browne, Chicana poet/chanteuse Ingrid Chavez, multireed sorcerer David Boyce, and more. He is a current Mosaic America Fellow and a featured writer in the award-winning 2022 collection from University of Hawai’i Press, Indigenous Pacific Islander Eco-literatures. Visit: pcmunoz.com and redfastluck.com

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Julius Ernesto Rea (he/they) is a Bay Area writer and arts producer. They co-founded The Forum Collective as well as Substrate Arts, a local longform arts journal. They are currently the playwright for "The Day the Sky Turned Orange" at SFBATCO, supported by the YBCA Creative Corps Initiative. In addition to their work as a playwright, they work with Lorraine Hansberry Theatre as a production manager.

March 16 pre-show Panelists

Brian Maurice Freeman is currently Artist-in-Residence at the Booker T. Washington Community Service Center, San Francisco.  Under the auspices of the VictoryClub/Senior Wellness Program helping develop innovative artistic activities, (such as a podcasting class) for a Black centered and inclusive organization. Supporting the expression, health and well being of the way seniors live now.  An actor, playwright, poet, performance artist, visual artist, arts administrator, filmmaker and, of course, a senior. Many awards include a Tony, Bessie and the CalArts/Alpert Award in Theatre.

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Freddy Martin is the Congregational Life & Community Englagement Manager at Glide Memorial Church, where he manages the 20+ Congregational Life groups. He also organizes, creates, and implements social & racial justice campaigns, community events, and movements with meaning & purpose. Freddy Martin graduated from Pacific School of Religion at Berkeley and received a Certificate In Ministry Studies. He is currently in his 3rd year of the Black Community Activist Researcher course at University of SF and served on the SF African American Reparations Advisory Council and helped Win reparations for black San Franciscans. He is a performing artist, activist, and creator in the community. He has an AS Degree in Psychology from CCSF. Freddy enjoys being part of the decision-making and behind the scenes work creating events and movements with community that healthily and positively impacts many lives in San Francisco. An avid lover of God, People, & Life!

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Sharon Woodruff is very outgoing, enjoys lots of family and social gatherings, Fresh Farmers' Markets, loves helping others, running errands, and taking other seniors to doctor appointments.

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Cora McCoy is a retired license vocational nurse well-known for her dedication to serving her church and community. She is also a member of various organizations that educate, empower and engage individuals to improve conditions for their families and communities: Senior and Disability Action, Church women United, Association for advancement of colored people, a member of the El Bethel Missionary Baptist Church. In addition Cora connects with senior and community groups: Booker T Washington Community Center Senior Victory Club, Dr. George Davis Senior Center. Network for elders, Third Baptist Church Senior program and National Council of Negro Women. She also enjoys listening to music and crocheting.  

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Christine Joy Amagan Ferrer (moderator, a.k.a. Tine or tinejoy) is the Educational Program Coordinator for Robert Moses Kin. Creator, author and designer of The Divine Coloring Book. Tine is an INNER-disciplinary creative soul from San Francisco. A jack of all trades, a master of nothing but herself. She is a curator of spiritual wellness, cultural arts practitioner and healing arts facilitator. Rooted in Philippine, Haitian and Afro-Brazilian folkloric music and dance. Spirituality, folklore, indigenous art forms and rhythms across diasporas, of Spirit ground her. By day, she has been empowering youth through movement arts for over 15 years. By night, she is also a freelance designer, cultural and media producer. She delivers solutions for community organizations and individuals working towards the highest good of ALL. Through visual, written and embodied storytelling, she uses sacred healing practices, movement and design to guide the remembrance of the Divine within. She also coaches youth movement arts at AcroSports. 
 

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March 17 pre-show Panelists

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Dorothy Lazard grew up in San Francisco and Oakland during the height of the Black Arts Movement. She received a bachelor’s degree in English from San Francisco State University and a Master of Library and Information Studies from UC Berkeley where she began her career as a librarian in 1983. She joined the staff of the Oakland Main Library in 2000 where she was responsible for various collections including history, biography, genealogy, travel, architecture, and maps. From 2009 until her retirement in 2021, she managed the library’s Oakland History Center, where she hosted and delivered history lectures, mounted exhibits, and wrote articles for the community about Oakland history. She is widely celebrated for encouraging people of all ages, cultures, and educational levels to explore local history. She retired in 2021.
 

She was the recipient of the Partners in Preservation Lifetime Achievement Award from the Oakland Heritage Alliance in 2022, and the Book Club of California's Oscar Lewis Award for contributions to Western History in 2023.
 

Along with her busy library career, Dorothy, who holds a MFA degree in Creative Nonfiction (Goucher College), has been a committed writer for decades. Her writing has appeared in a variety of publications including Oakland Noir; The Public Library: a photographic essay; Oakland Heritage Alliance News; and a number of literary anthologies. Her recently published memoir, WHAT YOU DON'T KNOW WILL MAKE A WHOLE NEW WORLD, is her first book.

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Dr. Pablo Gonzalez is a Continuing Lecturer in Chicanx and Latinx Studies and Ethnic Studies at UC Berkeley. He received his Ph.D. in Anthropology from the University of Texas at Austin. Dr. Gonzalez is the recipient of the Distinguished Teaching Award in 2022 from UC Berkeley. His research and teaching focus on questions of political and cultural resonance in social movements, the construction of Mexican criminality, dispossession, and insurgent histories amongst communities of color. Dr. Gonzalez is also the Director of the Ethnic Studies Changemaker Project, a multimedia center focused on amplifying the voices of communities of color through storytelling. He is originally from Berkeley and Richmond, California.

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Mia Diawara (moderator, RMK Board Member) is a Manager of Environmental, Social, and Governance (ESG) Performance at Y Analytics--the internal ESG & Impact capability of private investment firm TPG--where she manages climate change strategy across the TPG investment portfolio, advising portfolio companies on climate resilience and emissions reduction and assessing the impact of TPG's climate-related investments. Before joining TPG, Mia worked as a management consultant at Bain & Co. where she led diversity recruiting for the San Francisco Associate Consultant program and helped drive the implementation of Unconscious Bias & Inclusion training. 

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Mia holds an M.S. degree in Civil & Environmental Engineering and a B.S. in Science, Technology, and Society—both from Stanford University--where she was actively involved in the dance community through student groups and faculty projects. She is humbled by the opportunity to support RMK in its mission.
 

Robert Moses’ KIN Staff:

Artistic Director: Robert Moses
Executive Director: Sydney Lozier
Managing Director: Jordan Wanderer
PR & Marketing Consultant: Mary Carbonara
Administrative Coordinator: Mallory Markham
Educational Program Coordinator: Christine Joy Ferrer
Social Media/Marketing Manager: Jenelle Gaerlan
Graphic Designer: Katherine Disenhof
Technical Director/Stage Manager: Francesca Muscolo
Video Engineer: Kevin Spinner

Acting Rehearsal Director: Cora Cliburn

Company Dancers: Vincent Chavez, Iva Dixson, Jenelle Gaerlan, Z Jackson, Elena Martins

 

Acknowledgments:

Activities of Robert Moses’ Kin have been made possible by: The Dream Keeper Initiative/Human Rights Commission, The International Association of Blacks in Dance, Grants for the Arts, The Kenneth Rainin Foundation, National Dance Project/NEFA, Fleishhacker Foundation, Zellerbach Family Foundation, and generous individuals.

The Bootstraps program is funded by the "Storytelling and Narrative Shift for the Black Community in San Francisco" grant through the Human Rights Commission's new Dream Keeper Initiative (DKI) and the California Arts Council.

 

A very special thanks to the Presidio Theatre for making these performances possible.

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For Bookings: info@robertmoseskin.org

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Text to Donate:
"ONEACT" to 44-321

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Learn More About RMK’s Bootstraps: Lyric Legacies Outreach Program

Robert Moses' KIN has reconstructed a collaborative educational and explorative outreach program called "Bootstraps: Lyric Legacies." Working with the Performing Arts Department of the San Francisco Unified School District (SFUSD), Booker T. Washington Community Service Center, and The Boys and Girls Club of SF to craft and implement an intergenerational curriculum that allows elders, high schoolers, middle and elementary school students, of all ability levels, to explore multiple artistic disciplines in order to foster connection to their authentic selves and to their community. The purpose of the workshops and curriculum is to uplift the voices and stories of all, with a focus on Black students of the diaspora and indigenous to this land and their stories. 

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This program is funded by the "Storytelling and Narrative Shift for the Black Community in San Francisco" grant through the Human Rights Commission's new Dream Keeper Initiative (DKI). 

 

For more info, or if you're interested in having "Bootstraps" Workshops held at your SF community space or school, click here.

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ABOUT THE PRESIDIO THEATRE

The historic Presidio Theatre was built in 1939 by the U.S. Army with funding from the Works Progress Administration (WPA). The Theatre is located next to the Parade Grounds on the Main Post of the Presidio of San Francisco in the Golden Gate National Recreation Area. In 2017, after lying vacant for 25 years, the Theatre underwent a $44 million renovation transforming it into a contemporary performing arts center through the vision and generosity of the Margaret E. Haas Fund. The Theatre is now a home for a growing number of beloved San Francisco Bay Area artists and events including the Children’s Theatre Association of San Francisco and a new annual holiday show called Panto in the Presidio. In addition to presenting public performances and films, the Theatre offers free events for 7000+ public school children and teachers each year, hosts community meetings, provides classes and serves as a rental venue.

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PRESIDIO THEATRE STAFF

Jono Clay, Box Office Manager

Patty Ann Farrell, Production Manager

Jeff Gregory, Technical Director

Max Gustafson, Marketing and Programs Manager

Matthew Keefe, Director of Development and Communications

Robert Martin, Executive Director

Damon Pierson, Facilities Manager

Jennifer Tait, Director of Operations and Community Relations

Alessandra Waste, Production Assistant


 

CONTACT

Webwww.presidiotheatre.org

Phone: 415-960-3949

Email: info@presidiotheatre.org

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