“The movement is extremely stretched out and jazzy, and underscores Moses’ expansive use of space, which in this case makes us feel there are far more than six dancers on stage.”

— Seattle Times

“Robert Moses, with his dance company, Kin, not only creates some of the most gorgeous movement on stage anywhere, but also is committed to tackling ideas of race, class, culture and gender, and he does so successfully." 

— San Francisco Chronicle