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Since founding Robert Moses' Kin in 1995 in San Francisco, choreographer Robert Moses has created numerous works of varying styles and genres for his highly praised dance company. His work explores topics ranging from oral traditions in African American culture, the dark side of contemporary urban culture, the nuanced complexities of parentage and identity, to the simple joys of the expressive power of pure movement. Moses has worked collaboratively with numerous artists and organizations, among them Terence Marling, Latanya Tigner, Julia Adam, Margaret Jenkins, Alonzo King, Sara Shelton Mann, Joanna Haigood, Carl Hancock Rux, SoVoSo, Marcus Shelby, Keith Terry, Frank Boehm, Will Power, Somei Yoshino Taiko Ensemble, Bill Morrison, Ann Galjour, David Worm, Kid Beyond and Youth Speaks. Since 2008 Moses has composed original scores for several of his dances.​


In addition to his work with Robert Moses’ Kin, Moses has choreographed for Alvin Ailey American Dance Theater, Ailey II, San Francisco Opera (La Forza del Destino, 2005), Philadanco, Cincinnati Ballet, Eco Arts, Transitions Dance Company of the Laban Center in London, African Cultural Exchange (UK), Bare Bones (UK), Oakland Ballet, Moving People Dance, and Robert Henry Johnson Dance Company, among others. He has choreographed for film, theater and opera, with major productions for the Lorraine Hansberry Theater, New Conservatory Theater, Los Angeles Prime Moves Festival (L.A.C.E.), and Olympic Arts Festival.


Robert Moses’ Kin has received significant funding from the William and Flora Hewlett Foundation, San Francisco Arts Commission, Grants for the Arts/San Francisco Hotel Tax Fund, Kenneth Rainin Foundation, Jonathan Logan Family Foundation, Wallace Alexander Gerbode Foundation, Fleishhacker Foundation, National Endowment for the Arts, Zellerbach Family Foundation, Princess Grace Foundation, New England Foundation for the Arts, Rockefeller MAP Foundation, San Francisco Foundation, James Irvine Foundation, California Arts Council, and Walter & Elise Hass Fund. The company is the recipient of seven Isadora Duncan Dance Awards, the Bonnie Bird North American Choreography Award, the SF Weekly Black Box Award for Choreography, and the SF Bay Guardian Goldie Award in Dance. RMK has performed at many esteemed venues such as the Jacob's Pillow Dance Festival, Fall for Dance/City Center, Bates Dance Festival, Colorado Dance Festival and Black Choreographers Moving Toward the 21st Century, among others. The company performs its annual home season at San Francisco’s Yerba Buena Center for the Arts.


An alumni of California State University Long Beach and a highly regarded master teacher, Moses has taught on campuses and at festivals throughout the United States and internationally, including Bates Dance Festival, Colorado Dance Festival, International Festival of Contemporary Dance "Espuma Cuanatica" (Ensanada, Mexico), International Dance Festival, "Crossing Bodies" (Tijuana, Mexico), OPEN LOOK St. Petersburg International Dance Festival, Serendipity Arts Festival (Kolkata, India), Goucher College, UC Berkeley, UC Davis, University of Texas, Stockton University, and University of Nevada. Moses has been a returning guest artist at the Northwest Dance Project and a mentor with Choreographers in Mentorship Exchange (CHIME). He conducted movement and performance workshops internationally for artists of African descent with State of Emergency Limited in the United Kingdom. 


In 2005, Moses was named Choreographer-in-Residence and Artistic Director of the Committee on Black Performing Arts at Stanford University, where he was on the dance faculty from 1995-2016. Moses was a professor of practice at Santa Clara University from 2018-2019 and is currently the Melody and Mark Teppola Presidential Distinguished Visiting Professor in the Department of Dance and Theater studies at Mills College in Oakland, CA.


Robert Moses is available to lead this technically demanding, intellectually challenging, and artistically stimulating workshops at universities.